The Bollands sign to Monkey Records


Always on the road, New Zealand folk duo, The Bollands, have been singing their infectious foot-stomping folk songs since 2011. With their love of travel, music, good friends & fine wine, they have gained a reputation for their passion-filled live shows and heartfelt folk tunes. Their energetic music stems from their upbringing in the folk and roots music scenes in small towns and folk clubs throughout New Zealand.

Christian, a hairy folk singer, met Joyce, the not so hairy pianist, at a campfire jam on a remote beach in their home country, New Zealand. They clicked instantly. Since that fate filled night, they have been playing their passion filled songs on the road throughout the world. For the past few years Joyce and Christian have been based in Hong Kong touring constantly. They have had the privilege of touring and sharing the stage with Vienna Teng, Geoffrey Lewis, Catherine Feeny and Chris Garneau.

The Bollands new album, All of My Ghosts, will be released on Monkey Records early 2017.

“Their live shows are energetic, foot-stomping and legendary” – HK Magazine
“The Bollands have curated a sound identifiably theirs… gorgeously melancholic..the honest, thoughtful songwriting craft of the band still shines through” – Timeout Magazine
“There were some really spellbinding moments. A certain observer suggested that it is a new truism in HK’s music scene that whenever The Bollands play, it is good. Well, they certainly did play. And it was good” – The Underground, Hong Kong

Robin Pahlman’s new album “Temporary Everything” out now on cassette and digital

Musically and geographically, Finnish guitarist and songwriter Robin Pahlman has traveled thousands of miles since he recorded and toured with his band Agent Kooper in the early 2000s. Robin started writing songs for a solo album in Seattle, WA, recorded his debut lo-fi acoustic EP in his tiny home studio in Vienna, Austria, toured all over Europe, and wrote and produced his first full-length album “Temporary Everything” in New York City.

“For this album, I wanted to play more guitar”, Robin says. “I wanted to focus more on guitar arrangements than before, and layer acoustic and electric guitars and some synths in order to create spacey and dreamy textures and moods. For demos, I would start out with a basic drum pattern, loop it, and just layer stuff upon it. In the studio, we recorded the basic tracks live with a band, but for some songs, I still wanted to maintain a certain static vibe in the rhythm section.“

“Lyrically, I wanted to acknowledge the bittersweet feeling of nostalgia that I recognize in my friends and myself, as many of us now have entered our 30s.”

“Originally, it was a person’s attempt to resist nostalgia altogether. However, as the theme developed, it turned into a process of recognizing and owning your own past without getting too sentimental about it – as opposed to adopting the nostalgia of your parents’ generation, which I think is a very present force in literature, film, music, and (political) culture in general.”

In his music, Robin draws from a wide range of influences, such as dream pop, krautrock, americana, psych rock, country, and folk. As always, melody and mood are important ingredients in Robin’s songwriting.

Robin Pahlman lives in Brooklyn, NY, where he writes music, plays shows, and serves as guitarist with rock band Howth.

Introducing Make Like a Tree


Make Like a Tree is a representation of travels expressed in music and photography created by Sergey Onischenko, a wanderer from Ukraine who has been hitchhiking around the world spreading his indie-folk tunes with a touch of non-conformism and Beat Generation ideas whilst exhibiting his minimalistic landscape photography along the way.

Each concert is played with new members and all songs are created and recorded in different parts of the world. Experiments with sounds and collaborations with the audience can turn this one-man-band into a duo or into quite a large improvising ensemble. The soundscapes of Make Like a Tree will bring you to an inner world of nature, woods, mountains and windswept tropical beaches and the sense of freedom that comes with life on the road.

The Animal album is a result of Sergey’s two and a half year hitchhiking journey through 13 countries from Ukraine to New Zealand. In June 2013 he left his hometown Kharkiv in Ukraine with his guitar in hand and headed to the East chasing the rising sun. It was the beginning of a vagabond trip that he had always dreamed about. Since then he’s done about 250 gigs in around 200 cities in Russia, China, Hong Kong, Macao, Lao, Vietnam, Cambodia, Thailand, Malaysia, Singapore, Indonesia, Papua New Guinea, Australia and New Zealand. In late 2015 he will be touring Russia and Ukraine to promote the release of his new album with touring plans for Europe and who knows where else in 2016.

Sergey started giving a birth to this album when he made a stop in Bali and recorded three songs in his DIY studio that he set up in bungalow near the ocean where he was living. Three other songs were recorded in Auckland, New Zealand at the MAINZ studio with the help of his friend Mike McMinn who also mixed half of the songs and mastered the whole album. The last two songs were made in collaboration with Cosmic Setter (Russia), Compact Substance (Ukraine) and Anna Denisova (Ukraine). Overall the album is surprisingly cohesive and Sergey’s breathy understated vocals over minimal acoustic arrangements (with the exception of the last two electronic-infused tracks) are sometimes reminiscent of early Iron and Wine or Bon Iver.

“I have been to many places and I have seen many people. I realized that places do not matter – but people are everything. Every single person who I met on my way put a drop of inspiration in my soul and as a result – these songs became mirrors that reflect stories and faces. Take a closer look and you might find yourself in one of the songs.” Sergey Onischenko (Make Like a Tree).

Check out the album here.

Freddy Fudd Pucker European tour with Sammy Battles



Freddy Fudd Pucker’s highly energetic, fast style has gotten him support slots with CJ Ramone, SNFU, and Deer Tick, as well as festival slots at The Fest (US) and more.

31.08. Leipzig, DE – Stone
02.09. Soest, DE – Alter Schlachthof
03.09. Erfurt, DE – Engelsburg
04.09. Schwäbisch Gmünd, DE – Hinz und Kunz am Boulevard
05.09. Aalen, DE – Frapé
06.09. Brandys Nad Labem, CZ – Sklep
07.09. Kosice, SK – Pokhoi
08.09. Budapest, HU – RoHam Bar
09.09. Wien, A – The Loft
10.09. Timelkam, A – Bart
11.09. Oberstaufen, A – Glashaus
12.09. Baden, CH – Treibguet
13.09. Stuttgart, DE – Wagenhallen
14.09. Zürich, CH – Dynamo
15.09. Freiburg, D – Rufetto
16.09. Koblenz, D – Freiraum
17.09. Paris, F – Le Pop In
18.09. Bree, NL – Ammeloela
19.09. Amsterdam, NL – House Concert

30.10 Ginsville, FL – The Fest

Forthcoming dates in Europe and the US to be announced soon.

Monkey Records first ever vinyl release! Hourglass Wine by Freddy Fudd Pucker

Fifteen years after Monkey Records was founded in 2000 we finally release our first record on vinyl in the shape of Freddy Fudd Pucker’s new album, Hourglass Wine. We are very excited! More to follow in 2016…

Freddy Fudd Pucker (Tom Young) is originally from a small city at the edge of the earth called Dunedin, New Zealand. However, he has spent the last five years or so touring the world, playing hundreds of shows across Australasia, the USA and Europe. The last two years have seen him based in Berlin, Germany, focusing on a nearly constant European tour schedule.

A one-boy-band of sorts, his live show consists of a guitar, banjo, distorted loops and samples, a suitcase bass-drum on one foot, a tambourine on the other and the howl of someone who imagines an alternative to our delusional culture of consumption. With these tools he performs intensely lyrical songs wrapped in extremely fast rhythms and melodies. Chaos does not reign, but is kept on a very long leash. With an ethos firmly rooted in DIY music culture, Freddy believes the audience to be as integral to the show as the performer. Shows on recent UK and European tours have been described as ‘communal exorcisms’.

Hourglass Wine is a 10 track offering of break-neck speed, emotive, folk songs. The bulk of which revolve around the simultaneous, multi-instrumentation of one boy and his high-gain acoustic guitar, bass drum and voice. The accompanying collectible 16 page booklet for Hourglass Wine is a collection of lyrics, rants and drawings bringing Freddy’s own visual interpretation of the album.

Lyrically, the songs seem to be born out of a desire to restructure and rebuild dialogues often over-simplified in mass media. When listening to the album one picks up the fury and disillusion Freddy feels in this modern age of disinformation where issues such as ecological catastrophe and the politics of international migration are warped. Freddy pleads with the listener, and perhaps with himself, to search for a sense of self-worth beyond simply that of a consumer within an unmerciful, global economic system. The heavy lyrical content of Freddy’s songs proves he is not afraid to explore complex ideas within his high-energy, strangely fun, punkrock influenced, folk music.

Hourglass Wine is available as download or CD from September 18th, 2015 with the vinyl release to follow on the 30th October. The graphic booklet is only available with the physical formats.

Freddy Fudd Pucker has a busy European and US tour schedule lined up throughout September, October and November, 2015. H growing reputation for being an extremely entertaining and unique performer has earned him support slots on recent European tours for legends such as CJ Ramone (USA), SNFU (Canada), La Vela Puerca (Uruguay) and Deer Tick (USA). In the past few years he has performed at festivals like FunFunFunFest (Austin, TX), Camp A Low Hum (NZ), and The Fest 2010 (Gainesville, FL) which he will be revisiting this year as part of an October US tour.

Ludwik Zamenhof – Maicho ne znaesh video

Maicho ne znaesh is the third single from Ludwik Zamenhof’s debut album Balkan Error.

The video uses footage from the short film Migration of the Hearts by Magdalena Wyszynska, a documentary about the phenomenon of big love migration of Polish women to Yugoslavia in around 1960-1985. Watch the film here.

Ludwik Zamenhof’s new solo album Balkan Error is inspired by Bulgarian, Polish, Balkan, Indian and Syrian music. Folk and Ethno samples are mixed with new electronic music such as Dubstep, Drum and Bass, IDM, Breakcore and Glitch Music to create an intoxicating and exotic brew guaranteed to get your feet moving.

Jono Heyes’ Fisherboy album – “an exotic magic carpet ride”

The musical tapestry of Jono Heyes’s debut album Le Fisherboy is real eye opener for world music lovers. A unique blend that embodies the raw duende of flamenco, the rhythmic syncopation of West Africa, the modal depth of arabian North Africa and the subtle and playful grooves of South America. Heyes’s lyrics are direct, poetic and political aiming at the global, environmental and social issues we currently face. Above all it is imbued with a sense of urgency and a voice of many cultures. Hold on tight, sit back and enjoy a magic carpet ride across the world.

Jono Heyes grew up in an old goldmining village called Livingstone, situated in the foothills of North Otago in the South Island of Aotearoa (New Zealand). When he was seventeen Jono began teaching himself on an old guitar that was gathering dust behind a couch and had only two strings left. Little by little he found his voice and has since added hundreds of sets of strings to his guitar. Over the last 17 years he has crafted his own language drawing from an array of world music cultures, defying any attempts to be placed in one genre. The result is his own unique blend of world music that is an urgent call for ecological, social and cross cultural understanding.

In 2007, Jono Bono formed his world music group Mama Yeva in the South Island city of Dunedin and the first of hundreds of gigs was part of the international appeal by Amnesty International for the release of Burmese leader Aung San Suu Kyi. This in many ways set the tone for the group’s focus. For the last 7 years he has performed in Mama Yeva with over 50 different musicians from a dozen or more countries. They have performed at venues and festivals that promote ecological and social justice in New Zealand, Ireland, Slovakia and the Czech Republic. Heyes’s debut album The Fisherboy features the special contribution of Mama Yeva members including: triple Emmy nominee Trevor Coleman, gracing the album with soulful trumpet, melodicas and basslines; Beata Bocek from the Czech Republic singing backing vocals on The Fisherboy; AJ Hickling mastering and backing vocals on No tengo Pais, and Frenchman Edouard Heillbronn playing bass on Hungry Little Dog.

Ludwik Zamenhof – Balkan Glitch Step music video

Ludwik Zamenhof is a one-man musical project and the alter ego of Polish-based producer Andrzej. The music on his new album, Balkan Error, is created using a mandolin and a computer. All recordings and samples are destroyed and deconstructed. Ludwik Zamenhof is inspired by Bulgarian, Polish, Balkan, Indian and Syrian music. Folk and Ethno samples are mixed with new electronic music such as Dubstep, Drum and Bass, IDM, Breakcore and Glitch Music to create an intoxicating genre-defying sound.

Ludwik Zamenhof makes no mistakes with his debut album, Balkan Error

Ludwik Zamenhof’s new solo album Balkan Error is inspired by Bulgarian, Polish, Balkan, Indian and Syrian music. Folk and Ethno samples are mixed with new electronic music such as Dubstep, Drum and Bass, IDM, Breakcore and Glitch Music to create an intoxicating and exotic brew guaranteed to get your feet moving.

Ludwik Zamenhof aka Andrzej Zagajewski is a producer, musician, dj and vocalist living in Cracow, Poland where he is a member of many bands. His primary instrument is tenor mandolin but he also plays banjo and saz. He sings in the folk-punk band Hańba! (translation: Shame!) whose lyrics refer to the political and social problems in Poland before Second World War. Other folk bands he is involved with are Bumtralala, Iglika and Kapela Hanki Wójciak. He also plays with UnitraProdiż, an experimental, noise, hip hop duo. Andrzej recently produced a fusion dance and Polish traditional music album for Południca!

Check out the post-apocalyptic music video for the first single, Balkan Glitch Step.